BRAND NEW
SIN
Tequila
Century
Media
(2006)

MERENDINE
ATOMICHE
Raw
Mausoleum Records
(2006)
review
by
Sully
Payton
Warning: Extended listening of
Brand New Sin's Tequila and Merendine Atomiche's Raw should
only be done after consuming copious amounts of cheap beer (provided you are
of legal drinking age). Pabst Blue Ribbon is too good for this listening
party. Throw down a couple of bucks for a case of something like Hams, Piels
or the more appropriately named Black Label. The hangover the next morning
will be better than having these songs stuck in your head.
Let's start with Italian metallers Merendine Atomiche. According to their
bio, they've been together for 10 years, but Raw (Mausoleum) is only
their second full length (hmmmm). After one listen, you'll ask yourself why
it took these guys a year and a half to write and record this record- were
they learning how to play their instruments or something? These guys have
spent an inordinate amount of time listening to the Pantera catalog. When
they weren't listening to Pantera, they threw hair metal flash in the pans
Dangerous Toys and Love/Hate into their CD player just to spice things up.
You'd think after eleven years of listening to American metal and allegedly
playing it, they'd sound better than a bunch of high schoolers. The cliches
come fast and furious on Raw. You've got the cheesily titled "Peace
Means War" with a White Lion style acoustic interlude amid the chugga-chugga
riffing. Then there's the annoying cowbell banging on "Shake For Me". Who
knew that cowbell could become such an integral part of Italian metal? You
get a slow Pantera riff fest on "Breathe The Big Apple", not to mention a
strangely placed double kick drum fill. You get faster Pantera riffs on
"Roads and Beers". Need a ballad? Every good American metal record had a
ballad right? "Oceans Shadow" was probably written as a serious song, but
Luca Zandarin's vocals are too accented to make this song sound even close
to respectable. The band claims to have used the best production equipment
available, but yet the album sounds like it was recorded in their buddy's
basement on a four track. Clearly this is a band signed in some back alley
bar in Rome by a drunk A&R rep looking for the next Lacuna Coil. I don't
think he came close to finding it.
Not to have the title of "Best Biker Bar in the Middle of Nowhere Band"
taken by a bunch of Italians, Brand New Sin offer up Tequila (Metal
Blade). This Syracuse-based band has been offering up their brand of Black
Label Lite since 2002. Their sound hasn't progressed significantly since
they burst on the music scene and that's just fine for what they do. Let's
face it, it's just too damn hard to swill when you're trying to follow
technical progressions of a band like Converge or Dillinger Escape Plan.
Brand New Sin just deliver straight forward rock/metal with lyrics that are
easy to slur along to. You get your typical bad relationship song in "Did Me
Wrong" (and yes, they call the evil woman a "bitch", how original). You get
your typical world falling to shit song with "Spare the Agony" as well as
"Reaper Man". All good bar bands need to have some cover songs in their
repertoire, right? Brand New Sin offer up "House Of The Rising Sun" to close
the record. This probably sounds better after a few rounds of tequila shots
then it does under the influence of sobriety. This kind of metal clearly
appeals to some people. I guess I'm just a Harley, a leather vest and a
domestic assault rap short of getting it.


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